OUR SEASON at The NEC
FUTUROLOGY
the Musical
Sheryl Lee Ralph Hillary Hawkins Khalil Kain
at St Clement’s Church
423 W 46th St New York, NY
ovationtix 866-811-4111 more info
OUR SEASON at The NEC
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Sheryl Lee Ralph Hillary Hawkins Khalil Kain
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Theater- This RSS feed URL is deprecated July 23, 2018This RSS feed URL is deprecated, please update. New URLs can be found in the footers at https://news.google.com/news
- A Buoyant '70s Musical About Black Lives Lands in 2018 - New York Times July 20, 2018New York TimesA Buoyant '70s Musical About Black Lives Lands in 2018New York TimesThe show touched down at several smaller New York theaters before opening on Broadway, which qualifies it for Encores! Off-Center, City Center's annual tribute to smaller-scale and Off Broadway musicals. It opens July 25, wrapping up a three-show ...
- Movie theater calls cops after black family asks for refund - New York Post June 26, 2018New York PostMovie theater calls cops after black family asks for refundNew York PostA trip to the movies for a black family in Philadelphia took an unwanted turn when a manager called police over a dispute about the parents being allowed back into the theater to get their kids, video shows. Ashley Jimenez posted a 5-minute video ...Black parents want action […]
- A Show About Indigenous Canadians Has a Glaring Omission ... - New York Times July 17, 2018New York TimesA Show About Indigenous Canadians Has a Glaring Omission ...New York TimesThe theater director Robert Lepage is ensnared in another controversy over cultural appropriation, this time with “Kanata,” a new production.and more »
- A Show About Slaves, With White Actors, Will Go On After Protests - New York Times July 12, 2018New York TimesA Show About Slaves, With White Actors, Will Go On After ProtestsNew York TimesBut David Laferrière, director of the Gilles-Vigneault Theater in St.-Jérôme, north of Montreal, which will show “Slav” in early 2019, said that, while he was sympathetic to the black community's concerns about casting, canceling the show would mean ...
- Protests Shutter a Show That Cast White Singers as Black Slaves - New York Times July 4, 2018New York TimesProtests Shutter a Show That Cast White Singers as Black SlavesNew York TimesWhen the show “Slav,” by the acclaimed Quebec theater director Robert Lepage, premiered at the Montreal International Jazz Festival last week, it immediately spawned a backlash and criticism that white artists had recklessly appropriated black culture.Protesters take o […]
- CARIBBEAT: Caribbean-born 'Black Panther' stars enjoying the comic book and action figure pluses of the hit ... - New York Daily News July 22, 2018New York Daily NewsCARIBBEAT: Caribbean-born 'Black Panther' stars enjoying the comic book and action figure pluses of the hit ...New York Daily News... and Haitian-Americans United for Progress — also stars the Mikerline Dance Company and the DJazz New York LA musical group.The event will be held at the park's Lakeside Theater, Parking Field […]
- 13 Plays and Musicals to Go to in NYC This Weekend - New York Times July 19, 2018New York Times13 Plays and Musicals to Go to in NYC This WeekendNew York Times... about to close. Our reviews of open shows are at nytimes.com/reviews/theater. ... For better or worse, the composer Micki Grant's songs, devoted to feminism, housing costs and how black lives matter, should be just as tuneful now in this Encores ...
- Review: In 'The Damned,' Ivo van Hove Finds the Mortal Chill in a Nazi Fire - New York Times July 18, 2018New York TimesReview: In 'The Damned,' Ivo van Hove Finds the Mortal Chill in a Nazi FireNew York TimesThat's where the great international theater auteur Ivo van Hove has set up an infernal, and ceaselessly creative, machine of destruction, one that burns an entire society into cinders. This astonishing enterprise, a production of the Comédie […]
- Review: Bad Girl Makes Good in a Glorious 'Carmen Jones' - New York Times June 28, 2018New York TimesReview: Bad Girl Makes Good in a Glorious 'Carmen Jones'New York TimesThis may also be the moment at which you accept for good that John Doyle's transformative revival of this once-shunned, sui generis work from 1943 — a strange hybrid of opera (the score is that of Georges Bizet's “Carmen”) and musical theater (the ...and m […]
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